Performance lighting director to video and motion picture director
A performance lighting director already meets 32% of what the video and motion picture director role asks for. The move turns on 13 required skills not yet in the profile.
72.1/ 100
1 How much of what a video and motion picture director is expected to do is already part of a performance lighting director’s work. Directional: the figure for the reverse move differs, because moving into a speciality is not the same problem as moving out of one. 2 Every skill the video and motion picture director role is recorded as needing, required and optional together. What these numbers mean.
Why this move works
A video and motion picture director role treats 8 of its required skills as things a performance lighting director already does. You would walk in with these on day one.
- adapt designers’ work to the performance venue
- analyse a script
- cinematography
- film production process
- finish project within budget
- lighting techniques
What stands in the way is 13 required skills the profile does not yet cover. Table 3 groups them; Table 4 says which to take first.
Table 2 · What you already bring
Of the 12 skills that carry over, these are the ones fewest other occupations ask for. A video and motion picture director role needs them, and most people applying for one will not have them already. This is the part of a performance lighting director background worth leading with.
- already held design lighting communication, collaboration and creativity
- already held cinematography arts and humanities
- already held adapt designers’ work to the performance venue communication, collaboration and creativity
- already held work with the director of photography communication, collaboration and creativity
- already held develop drama production process communication, collaboration and creativity
- already held lighting techniques arts and humanities
All 12 carried skills, including the 8 the video and motion picture director role treats as required.
Table 3 · What you may need to learn
The 32 missing skills fall into 7 areas of the ESCO skill hierarchy, numbered in the order worth working in. Areas carrying the most required skills come first, and inside each one the required skills sit above the optional ones. Nothing here is a verdict on you: it is a list of what this particular job asks for that your current one does not.
- still to learn adapt to type of media required
- still to learn ensure visual quality of the set required
- still to learn tell a story required
- still to learn watch scenes required
- still to learn work with motion picture editing team required
- still to learn work with playwrights required
- still to learn work with pre-production team required
- still to learn develop creative ideas required
- optional, not held adapt a script optional
- optional, not held attend read-through optional
- optional, not held edit digital moving images optional
- optional, not held liaise with event sponsors optional
- optional, not held supervise script preparation optional
- still to learn follow work schedule required
- still to learn lead cast and crew required
- optional, not held assess production needs to plan a production schedule optional
- optional, not held carry out auditions optional
- optional, not held coordinate rehearsals optional
- optional, not held help set rehearsal schedule optional
- optional, not held hire human resources optional
- optional, not held organise rehearsals optional
- optional, not held supervise camera crew optional
- optional, not held create production schedules optional
- optional, not held supervise sound production optional
- still to learn study media sources required
- still to learn study relationships between characters required
- still to learn audiovisual equipment required
- optional, not held edit recorded sound optional
- optional, not held perform video editing optional
- optional, not held operate a camera optional
- optional, not held set up cameras optional
1 further area in the appendix
Table 4 · Where to start
The 3 entries a video and motion picture director role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 adapt to type of media practise this
- 02 audiovisual equipment study this
- 03 ensure visual quality of the set practise this
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 12 skills that carry over
- already held adapt designers’ work to the performance venue skill
- already held analyse a script skill
- already held cinematography knowledge
- already held film production process knowledge
- already held finish project within budget skill
- already held lighting techniques knowledge
- already held photography knowledge
- already held work with the director of photography skill
- already held attend rehearsals skill
- already held design lighting skill
- already held develop drama production process skill
- already held manage budgets skill
The 1 learning area not shown above
- optional, not held create rough cut optional
19 supplementary skills, helpful but not required
- optional, not held adapt a script optional
- optional, not held assess production needs to plan a production schedule optional
- optional, not held attend read-through optional
- optional, not held carry out auditions optional
- optional, not held coordinate rehearsals optional
- optional, not held create rough cut optional
- optional, not held edit digital moving images optional
- optional, not held edit recorded sound optional
- optional, not held help set rehearsal schedule optional
- optional, not held hire human resources optional
- optional, not held liaise with event sponsors optional
- optional, not held operate a camera optional
- optional, not held organise rehearsals optional
- optional, not held perform video editing optional
- optional, not held set up cameras optional
- optional, not held supervise camera crew optional
- optional, not held supervise script preparation optional
- optional, not held create production schedules optional
- optional, not held supervise sound production optional
32 held skills the video and motion picture director role does not ask for
- not needed by the target role analyse the need for technical resources skill
- not needed by the target role artificial lighting systems knowledge
- not needed by the target role assess power needs skill
- not needed by the target role check material resources skill
- not needed by the target role collaborate on costume and make-up for performances skill
- not needed by the target role consult with production director skill
- not needed by the target role create solutions to problems skill
- not needed by the target role create storyboards skill
- not needed by the target role design an artificial lighting system skill
- not needed by the target role draw up lighting plan skill
- not needed by the target role electricity knowledge
- not needed by the target role familiarise with personal directing styles skill
- not needed by the target role focus lighting equipment skill
- not needed by the target role focus stage lights skill
- not needed by the target role health and safety regulations knowledge
- not needed by the target role keep up with trends skill
- not needed by the target role light a show skill
- not needed by the target role manage technical resources stock skill
- not needed by the target role operate a lighting console skill
- not needed by the target role operate lighting equipment skill
- not needed by the target role plan act lighting skill
- not needed by the target role prevent technical problems with lighting equipment skill
- not needed by the target role read lighting plans skill
- not needed by the target role rig lights skill
- not needed by the target role supervise equipment skill
- not needed by the target role supervise lighting crew skill
- not needed by the target role technical drawings knowledge
- not needed by the target role translate artistic concepts to technical designs skill
- not needed by the target role use specialised design software skill
- not needed by the target role use storyboards skill
- not needed by the target role use technical documentation skill
- not needed by the target role work with the camera crew skill
1 gaps that are knowledge rather than practice
Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.
- still to learn audiovisual equipment required
Other moves recorded from performance lighting director
Common questions about this move
Can a performance lighting director become a video and motion picture director?
Yes, and it is a substantial move. A performance lighting director already covers 32% of what a video and motion picture director is expected to do: 12 skills carry over, 8 of which the video and motion picture director role treats as required.
What skills does a performance lighting director need to become a video and motion picture director?
13 required skills are missing, plus 19 optional ones. They fall into 7 areas of the ESCO skill hierarchy, led by communication, collaboration and creativity. The single most important is adapt to type of media.
How hard is the move from performance lighting director to video and motion picture director?
Its learning distance is 72.1 out of 100, which is the substantial band. That accounts for both how much is missing and how specialised those skills are.
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.