stagehandtofollowspot operator
A stagehand already meets 67% of what the followspot operator role asks for. The move turns on 6 required skills not yet in the profile.
This move: 36.7 of 100 · moderate
1 Share of the followspot operator role’s weighted skill requirement already met by the stagehand profile. Required skills count in full, supplementary skills at 0.35. Directional: the figure for the reverse move differs. 2 Combines what is missing with how specialised it is, so a gap of general skills scores easier than the same number of narrow ones.
Table 2 · What you already bring
Of the 17 skills that carry over, these are the ones fewest other occupations ask for. A followspot operator role needs them, and most people applying for one will not have them already. This is the part of a stagehand background worth leading with.
- already held set up follow spots communication, collaboration and creativity
- already held de-rig electronic equipment working with machinery and specialised equipment
- already held assemble performance equipment working with machinery and specialised equipment
- already held pack electronic equipment handling and moving
- already held perform first fire intervention assisting and caring
- already held set up equipment in a timely manner handling and moving
All 17 carried skills, including the 13 the followspot operator role treats as required.
Table 3 · What you would need to learn
The 9 missing skills fall into 4 areas of the ESCO skill hierarchy, numbered below in the order worth working in: the areas carrying the most required skills come first, and inside each one the required skills sit above the supplementary ones.
- required, not held adapt to artists' creative demands required
- required, not held communicate during show required
- required, not held understand artistic concepts required
- optional, not held adapt designers’ work to the performance venue optional
- optional, not held identify technical resources for performances optional
- required, not held operate follow spots required
- required, not held use communication equipment required
- required, not held follow safety precautions in work practices required
- optional, not held keep personal administration optional
Table 4 · Where to start
The 3 entries a followspot operator role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 adapt to artists' creative demands skill · sector specific
- 02 communicate during show skill · sector specific
- 03 operate follow spots skill · sector specific
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 17 skills that carry over
- already held assemble performance equipment skill
- already held de-rig electronic equipment skill
- already held follow safety procedures when working at heights skill
- already held prepare personal work environment skill
- already held prevent fire in a performance environment skill
- already held set up equipment in a timely manner skill
- already held set up follow spots skill
- already held store performance equipment skill
- already held use personal protection equipment skill
- already held work ergonomically skill
- already held work safely with machines skill
- already held work safely with mobile electrical systems under supervision skill
- already held work with respect for own safety skill
- already held develop professional network skill
- already held manage personal professional development skill
- already held pack electronic equipment skill
- already held perform first fire intervention skill
3 supplementary skills, helpful but not required
- optional, not held adapt designers’ work to the performance venue optional
- optional, not held identify technical resources for performances optional
- optional, not held keep personal administration optional
15 held skills the followspot operator role does not ask for
- not needed by the target role assemble scenic elements on stage skill
- not needed by the target role assemble the rehearsal set skill
- not needed by the target role assemble truss constructions skill
- not needed by the target role build scaffolding skill
- not needed by the target role dismantle scaffolding skill
- not needed by the target role dismantle the rehearsal set skill
- not needed by the target role handle scenic elements during rehearsal skill
- not needed by the target role modify scenic elements during performance skill
- not needed by the target role organise stage skill
- not needed by the target role prepare the floor for performance skill
- not needed by the target role scaffolding components knowledge
- not needed by the target role set up cameras skill
- not needed by the target role set up pyrotechnical equipment skill
- not needed by the target role set up stage lights skill
- not needed by the target role work safely with chemicals skill
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.