Art restorer to exhibition curator
An art restorer already meets 33% of what the exhibition curator role asks for. The move turns on 20 required skills not yet in the profile.
72.8/ 100
1 How much of what an exhibition curator is expected to do is already part of an art restorer’s work. Directional: the figure for the reverse move differs, because moving into a speciality is not the same problem as moving out of one. 2 Every skill the exhibition curator role is recorded as needing, required and optional together. What these numbers mean.
Why this move works
An exhibition curator role treats 11 of its required skills as things an art restorer already does. You would walk in with these on day one.
- art collections
- art history
- coordinate operational activities
- create solutions to problems
- ensure safety of exhibition
- evaluate art quality
What stands in the way is 20 required skills the profile does not yet cover. Table 3 groups them; Table 4 says which to take first.
Table 2 · What you already bring
Of the 11 skills that carry over, these are the ones fewest other occupations ask for. An exhibition curator role needs them, and most people applying for one will not have them already. This is the part of an art restorer background worth leading with.
- already held ensure safety of exhibition assisting and caring
- already held use ICT resources to solve work related tasks working with computers
- already held art collections arts and humanities
- already held evaluate art quality information skills
- already held museum databases social sciences, journalism and information
- already held interact with an audience communication, collaboration and creativity
All 11 carried skills, including the 11 the exhibition curator role treats as required.
Table 3 · What you may need to learn
The 27 missing skills fall into 5 areas of the ESCO skill hierarchy, numbered in the order worth working in. Areas carrying the most required skills come first, and inside each one the required skills sit above the optional ones. Nothing here is a verdict on you: it is a list of what this particular job asks for that your current one does not.
- still to learn advertise an art collection required
- still to learn consult exhibition organisers required
- still to learn cope with challenging demands required
- still to learn organise an exhibition required
- still to learn present exhibition required
- still to learn provide project information on exhibitions required
- still to learn coach employees required
- still to learn create new concepts required
- still to learn listen actively required
- still to learn train employees required
- optional, not held advise on cultural exhibitions optional
- optional, not held support public access to exhibitions optional
- optional, not held liaise with financiers optional
- still to learn work independently on exhibitions required
- still to learn apply strategic thinking required
- still to learn manage budgets required
- still to learn meet deadlines required
- still to learn plan resource allocation required
- still to learn work in an organised manner required
- optional, not held evaluate cultural venue visitor needs optional
- still to learn inheritance council practices required
- still to learn art-historical values required
- optional, not held natural history optional
- optional, not held archaeology optional
- still to learn cultural projects required
- optional, not held anthropology optional
- still to learn have computer literacy required
Table 4 · Where to start
The 3 entries an exhibition curator role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 inheritance council practices study this
- 02 advertise an art collection practise this
- 03 art-historical values study this
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 11 skills that carry over
- already held art collections knowledge
- already held art history knowledge
- already held coordinate operational activities skill
- already held create solutions to problems skill
- already held ensure safety of exhibition skill
- already held evaluate art quality skill
- already held interact with an audience skill
- already held museum databases knowledge
- already held perform project management skill
- already held present reports skill
- already held use ICT resources to solve work related tasks skill
7 supplementary skills, helpful but not required
- optional, not held advise on cultural exhibitions optional
- optional, not held natural history optional
- optional, not held support public access to exhibitions optional
- optional, not held anthropology optional
- optional, not held archaeology optional
- optional, not held evaluate cultural venue visitor needs optional
- optional, not held liaise with financiers optional
9 held skills the exhibition curator role does not ask for
- not needed by the target role apply restoration techniques skill
- not needed by the target role assess conservation needs skill
- not needed by the target role evaluate restoration procedures skill
- not needed by the target role provide conservation advice skill
- not needed by the target role respect cultural differences in the field of exhibition skill
- not needed by the target role restore art using scientific methods skill
- not needed by the target role select restoration activities skill
- not needed by the target role specialise in conservation-restoration of specific types of objects skill
- not needed by the target role work in restoration team skill
6 gaps that are knowledge rather than practice
Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.
- still to learn inheritance council practices required
- still to learn art-historical values required
- still to learn cultural projects required
- optional, not held natural history optional
- optional, not held anthropology optional
- optional, not held archaeology optional
Common questions about this move
Can an art restorer become an exhibition curator?
Yes, and it is a substantial move. An art restorer already covers 33% of what an exhibition curator is expected to do: 11 skills carry over, 11 of which the exhibition curator role treats as required.
What skills does an art restorer need to become an exhibition curator?
20 required skills are missing, plus 7 optional ones. They fall into 5 areas of the ESCO skill hierarchy, led by communication, collaboration and creativity. The single most important is inheritance council practices.
How hard is the move from art restorer to exhibition curator?
Its learning distance is 72.8 out of 100, which is the substantial band. That accounts for both how much is missing and how specialised those skills are.
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.