Career Overlap Transition record Edition 1 · ESCO v1.2.1
Table 1Transition record

light board operatortoperformance lighting technician

A light board operator already meets 80% of what the performance lighting technician role asks for. The move turns on 3 required skills not yet in the profile.

From light board operator
80%
Overlap1
To performance lighting technician
47 Skills carried over
3 Required, not held
30.5 Difficulty2
adjacent 0–30
moderate 30–55
substantial 55–75
career change 75–100
this move, 30.5

This move: 30.5 of 100 · moderate

1 Share of the performance lighting technician role’s weighted skill requirement already met by the light board operator profile. Required skills count in full, supplementary skills at 0.35. Directional: the figure for the reverse move differs. 2 Combines what is missing with how specialised it is, so a gap of general skills scores easier than the same number of narrow ones.

Table 2

Table 2 · What you already bring

Of the 47 skills that carry over, these are the ones fewest other occupations ask for. A performance lighting technician role needs them, and most people applying for one will not have them already. This is the part of a light board operator background worth leading with.

Skill the target role also needs Area
  • already held rig automated lights constructing
  • already held maintain dimmer equipment working with machinery and specialised equipment
  • already held operate dimmer equipment working with machinery and specialised equipment
  • already held maintain automated lighting equipment working with machinery and specialised equipment
  • already held distribute control signals working with machinery and specialised equipment
  • already held focus stage lights working with machinery and specialised equipment

All 47 carried skills, including the 25 the performance lighting technician role treats as required.

Table 3

Table 3 · What you would need to learn

The 18 missing skills fall into 6 areas of the ESCO skill hierarchy, numbered below in the order worth working in: the areas carrying the most required skills come first, and inside each one the required skills sit above the supplementary ones.

Skill to acquire Tier
01 working with machinery and specialised equipment 2 required, 3 supplementary
  • required, not held light a show required
  • required, not held provide power distribution required
  • optional, not held operate follow spots optional
  • optional, not held maintain electrical equipment optional
  • optional, not held set up generators optional
02 engineering, manufacturing and construction 1 required, 1 supplementary
  • required, not held artificial lighting systems required
  • optional, not held electricity optional
03 communication, collaboration and creativity 6 supplementary
  • optional, not held adapt designers’ work to the performance venue optional
  • optional, not held design an artificial lighting system optional
  • optional, not held edit digital moving images optional
  • optional, not held familiarise with personal directing styles optional
  • optional, not held set up follow spots optional
  • optional, not held work with the director of photography optional
04 management skills 3 supplementary
  • optional, not held manage signoff of an installed system optional
  • optional, not held check material resources optional
  • optional, not held manage consumables stock optional
05 arts and humanities 1 supplementary
  • optional, not held cinematography optional
06 information skills 1 supplementary
  • optional, not held analyse the need for technical resources optional
Table 4

Table 4 · Where to start

The 3 entries a performance lighting technician role is least likely to hire without. The ordering is computed from the skill data, not from what pays.

Each entry opens a course search for that skill. Career Overlap earns nothing from these links.

Appendix

Appendix · The rest of the record

All 47 skills that carry over
Skill Type
  • already held adapt to artists' creative demands skill
  • already held assess power needs skill
  • already held de-rig electronic equipment skill
  • already held distribute control signals skill
  • already held draw up lighting plan skill
  • already held ensure safety of mobile electrical systems skill
  • already held focus lighting equipment skill
  • already held focus stage lights skill
  • already held follow safety procedures when working at heights skill
  • already held maintain dimmer equipment skill
  • already held maintain lighting equipment skill
  • already held operate dimmer equipment skill
  • already held pack electronic equipment skill
  • already held prepare personal work environment skill
  • already held prevent fire in a performance environment skill
  • already held prevent technical problems with lighting equipment skill
  • already held rig lights skill
  • already held set up equipment in a timely manner skill
  • already held store performance equipment skill
  • already held understand artistic concepts skill
  • already held use personal protection equipment skill
  • already held work ergonomically skill
  • already held work safely with machines skill
  • already held work safely with mobile electrical systems under supervision skill
  • already held work with respect for own safety skill
  • already held adapt artistic plan to location skill
  • already held advise client on technical possibilities skill
  • already held consult with stakeholders on implementation of a production skill
  • already held develop professional network skill
  • already held document your own practice skill
  • already held draw up artistic production skill
  • already held keep personal administration skill
  • already held keep up with trends skill
  • already held maintain automated lighting equipment skill
  • already held maintain system layout for a production skill
  • already held manage performance light quality skill
  • already held manage personal professional development skill
  • already held manage technical resources stock skill
  • already held operate a lighting console skill
  • already held perform first fire intervention skill
  • already held plan act lighting skill
  • already held read lighting plans skill
  • already held rig automated lights skill
  • already held safeguard artistic quality of performance skill
  • already held set up light board skill
  • already held translate artistic concepts to technical designs skill
  • already held use technical documentation skill
15 supplementary skills, helpful but not required
Skill to acquire Tier
  • optional, not held adapt designers’ work to the performance venue optional
  • optional, not held analyse the need for technical resources optional
  • optional, not held cinematography optional
  • optional, not held design an artificial lighting system optional
  • optional, not held edit digital moving images optional
  • optional, not held familiarise with personal directing styles optional
  • optional, not held manage signoff of an installed system optional
  • optional, not held operate follow spots optional
  • optional, not held set up follow spots optional
  • optional, not held work with the director of photography optional
  • optional, not held check material resources optional
  • optional, not held electricity optional
  • optional, not held maintain electrical equipment optional
  • optional, not held manage consumables stock optional
  • optional, not held set up generators optional
22 held skills the performance lighting technician role does not ask for
Skill Type
  • not needed by the target role adapt existing designs to changed circumstances skill
  • not needed by the target role assemble performance equipment skill
  • not needed by the target role attend rehearsals skill
  • not needed by the target role coach staff for running the performance skill
  • not needed by the target role communicate during show skill
  • not needed by the target role cue a performance skill
  • not needed by the target role instruct on set up of equipment skill
  • not needed by the target role interpret artistic intentions skill
  • not needed by the target role intervene with actions on stage skill
  • not needed by the target role lead a team skill
  • not needed by the target role manage teamwork skill
  • not needed by the target role monitor developments in technology used for design skill
  • not needed by the target role organise resources for artistic production skill
  • not needed by the target role perform quality control of design during a run skill
  • not needed by the target role plot lighting states skill
  • not needed by the target role plot lighting states with automated lights skill
  • not needed by the target role provide technical documentation skill
  • not needed by the target role support a designer in the developing process skill
  • not needed by the target role update budget skill
  • not needed by the target role update design results during rehearsals skill
  • not needed by the target role use communication equipment skill
  • not needed by the target role work safely with chemicals skill
3 gaps that are knowledge rather than practice

Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.

Skill to acquire Tier
  • required, not held artificial lighting systems required
  • optional, not held cinematography optional
  • optional, not held electricity optional
Index
Note

How this record was compiled

Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.