Storyboard artist to director of photography
A storyboard artist already meets 34% of what the director of photography role asks for. The move turns on 13 required skills not yet in the profile.
69.7/ 100
1 How much of what a director of photography is expected to do is already part of a storyboard artist’s work. Directional: the figure for the reverse move differs, because moving into a speciality is not the same problem as moving out of one. 2 Every skill the director of photography role is recorded as needing, required and optional together. What these numbers mean.
Why this move works
A director of photography role treats 8 of its required skills as things a storyboard artist already does. You would walk in with these on day one.
- adapt to type of media
- analyse a script
- consult with production director
- develop creative ideas
- film production process
- follow work schedule
What stands in the way is 13 required skills the profile does not yet cover. Table 3 groups them; Table 4 says which to take first.
Table 2 · What you already bring
Of the 11 skills that carry over, these are the ones fewest other occupations ask for. A director of photography role needs them, and most people applying for one will not have them already. This is the part of a storyboard artist background worth leading with.
- already held work with playwrights communication, collaboration and creativity
- already held study media sources information skills
- already held consult with production director communication, collaboration and creativity
- already held film production process arts and humanities
- already held adapt to type of media communication, collaboration and creativity
- already held develop creative ideas communication, collaboration and creativity
All 11 carried skills, including the 8 the director of photography role treats as required.
Table 3 · What you may need to learn
The 27 missing skills fall into 6 areas of the ESCO skill hierarchy, numbered in the order worth working in. Areas carrying the most required skills come first, and inside each one the required skills sit above the optional ones. Nothing here is a verdict on you: it is a list of what this particular job asks for that your current one does not.
- still to learn adapt designers’ work to the performance venue required
- still to learn design lighting required
- still to learn ensure visual quality of the set required
- still to learn watch scenes required
- still to learn work with motion picture editing team required
- still to learn work with pre-production team required
- still to learn translate artistic concepts to technical designs required
- optional, not held adapt a script optional
- optional, not held edit digital moving images optional
- optional, not held liaise with event sponsors optional
- optional, not held supervise script preparation optional
- optional, not held attend rehearsals optional
- still to learn audiovisual equipment required
- still to learn cinematography required
- still to learn lighting techniques required
- optional, not held file-based workflow optional
- optional, not held photographic processing techniques optional
- still to learn supervise camera crew required
- still to learn finish project within budget required
- still to learn supervise sound production required
- optional, not held hire human resources optional
- optional, not held operate a camera optional
- optional, not held select camera apertures optional
- optional, not held set up cameras optional
- optional, not held edit recorded sound optional
- optional, not held perform video editing optional
- optional, not held read scripts optional
Table 4 · Where to start
The 3 entries a director of photography role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 adapt designers’ work to the performance venue practise this
- 02 audiovisual equipment study this
- 03 cinematography study this
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 11 skills that carry over
- already held adapt to type of media skill
- already held analyse a script skill
- already held consult with production director skill
- already held develop creative ideas skill
- already held film production process knowledge
- already held follow work schedule skill
- already held photography knowledge
- already held study media sources skill
- already held ICT software specifications knowledge
- already held multimedia systems knowledge
- already held work with playwrights skill
14 supplementary skills, helpful but not required
- optional, not held adapt a script optional
- optional, not held edit digital moving images optional
- optional, not held edit recorded sound optional
- optional, not held file-based workflow optional
- optional, not held hire human resources optional
- optional, not held liaise with event sponsors optional
- optional, not held operate a camera optional
- optional, not held perform video editing optional
- optional, not held read scripts optional
- optional, not held select camera apertures optional
- optional, not held set up cameras optional
- optional, not held supervise script preparation optional
- optional, not held attend rehearsals optional
- optional, not held photographic processing techniques optional
22 held skills the director of photography role does not ask for
- not needed by the target role apply 3D imaging techniques skill
- not needed by the target role cameras knowledge
- not needed by the target role consult with motion picture producer skill
- not needed by the target role copyright legislation knowledge
- not needed by the target role create 2D painting skill
- not needed by the target role create animated narratives skill
- not needed by the target role create digital images skill
- not needed by the target role create original drawings skill
- not needed by the target role create sketches skill
- not needed by the target role design graphics skill
- not needed by the target role develop animations skill
- not needed by the target role digital content creation skill
- not needed by the target role familiarise with personal directing styles skill
- not needed by the target role graphic design knowledge
- not needed by the target role manage budgets skill
- not needed by the target role manage feedback skill
- not needed by the target role perform image editing skill
- not needed by the target role present storyboard skill
- not needed by the target role select illustration styles skill
- not needed by the target role use digital illustration techniques skill
- not needed by the target role use storyboards skill
- not needed by the target role use traditional illustration techniques skill
5 gaps that are knowledge rather than practice
Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.
- still to learn audiovisual equipment required
- still to learn cinematography required
- still to learn lighting techniques required
- optional, not held file-based workflow optional
- optional, not held photographic processing techniques optional
Common questions about this move
Can a storyboard artist become a director of photography?
Yes, and it is a substantial move. A storyboard artist already covers 34% of what a director of photography is expected to do: 11 skills carry over, 8 of which the director of photography role treats as required.
What skills does a storyboard artist need to become a director of photography?
13 required skills are missing, plus 14 optional ones. They fall into 6 areas of the ESCO skill hierarchy, led by communication, collaboration and creativity. The single most important is adapt designers’ work to the performance venue.
How hard is the move from storyboard artist to director of photography?
Its learning distance is 69.7 out of 100, which is the substantial band. That accounts for both how much is missing and how specialised those skills are.
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.