Prop master/prop mistress to followspot operator
A prop master/prop mistress already meets 67% of what the followspot operator role asks for. The move turns on 6 required skills not yet in the profile.
36.4/ 100
1 How much of what a followspot operator is expected to do is already part of a prop master/prop mistress’s work. Directional: the figure for the reverse move differs, because moving into a speciality is not the same problem as moving out of one. 2 Every skill the followspot operator role is recorded as needing, required and optional together. What these numbers mean.
Why this move works
A followspot operator role treats 13 of its required skills as things a prop master/prop mistress already does. You would walk in with these on day one.
- adapt to artists' creative demands
- assemble performance equipment
- follow safety procedures when working at heights
- prepare personal work environment
- prevent fire in a performance environment
- set up equipment in a timely manner
What stands in the way is 6 required skills the profile does not yet cover. Table 3 groups them; Table 4 says which to take first.
Table 2 · What you already bring
Of the 17 skills that carry over, these are the ones fewest other occupations ask for. A followspot operator role needs them, and most people applying for one will not have them already. This is the part of a prop master/prop mistress background worth leading with.
- already held assemble performance equipment working with machinery and specialised equipment
- already held perform first fire intervention assisting and caring
- already held set up equipment in a timely manner handling and moving
- already held store performance equipment handling and moving
- already held prepare personal work environment management skills
- already held understand artistic concepts communication, collaboration and creativity
All 17 carried skills, including the 13 the followspot operator role treats as required.
Table 3 · What you may need to learn
The 9 missing skills fall into 4 areas of the ESCO skill hierarchy, numbered in the order worth working in. Areas carrying the most required skills come first, and inside each one the required skills sit above the optional ones. Nothing here is a verdict on you: it is a list of what this particular job asks for that your current one does not.
- still to learn operate follow spots required
- still to learn use communication equipment required
- still to learn de-rig electronic equipment required
- still to learn communicate during show required
- still to learn set up follow spots required
- optional, not held adapt designers’ work to the performance venue optional
- optional, not held identify technical resources for performances optional
- still to learn follow safety precautions in work practices required
- optional, not held pack electronic equipment optional
Table 4 · Where to start
The 3 entries a followspot operator role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 communicate during show practise this
- 02 operate follow spots practise this
- 03 set up follow spots practise this
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 17 skills that carry over
- already held adapt to artists' creative demands skill
- already held assemble performance equipment skill
- already held follow safety procedures when working at heights skill
- already held prepare personal work environment skill
- already held prevent fire in a performance environment skill
- already held set up equipment in a timely manner skill
- already held store performance equipment skill
- already held understand artistic concepts skill
- already held use personal protection equipment skill
- already held work ergonomically skill
- already held work safely with machines skill
- already held work safely with mobile electrical systems under supervision skill
- already held work with respect for own safety skill
- already held develop professional network skill
- already held keep personal administration skill
- already held manage personal professional development skill
- already held perform first fire intervention skill
3 supplementary skills, helpful but not required
- optional, not held adapt designers’ work to the performance venue optional
- optional, not held identify technical resources for performances optional
- optional, not held pack electronic equipment optional
44 held skills the followspot operator role does not ask for
- not needed by the target role adapt props skill
- not needed by the target role advise client on technical possibilities skill
- not needed by the target role assemble scenic elements on stage skill
- not needed by the target role assemble the rehearsal set skill
- not needed by the target role build devices into props skill
- not needed by the target role change over props skill
- not needed by the target role consult with stakeholders on implementation of a production skill
- not needed by the target role define prop building methods skill
- not needed by the target role define prop materials skill
- not needed by the target role design props skill
- not needed by the target role develop prop effects skill
- not needed by the target role document your own practice skill
- not needed by the target role draw prop sketches skill
- not needed by the target role draw up artistic production skill
- not needed by the target role ensure visual quality of the set skill
- not needed by the target role hand props to actors skill
- not needed by the target role instruct on set up of equipment skill
- not needed by the target role maintain props skill
- not needed by the target role maintain stage weapons skill
- not needed by the target role manage consumables stock skill
- not needed by the target role manage stage effects skill
- not needed by the target role mark the stage area skill
- not needed by the target role modify scenic elements during performance skill
- not needed by the target role obtain pyrotechnic permits skill
- not needed by the target role obtain stage weapon permits skill
- not needed by the target role operate pyrotechnical control skill
- not needed by the target role organise resources for artistic production skill
- not needed by the target role organise stage skill
- not needed by the target role plan pyrotechnical effects skill
- not needed by the target role plan weapon use on stage skill
- not needed by the target role prepare stage effects skill
- not needed by the target role prepare stage weapons skill
- not needed by the target role preset props skill
- not needed by the target role purchase props skill
- not needed by the target role purchase stage weapons skill
- not needed by the target role safeguard artistic quality of performance skill
- not needed by the target role set up pyrotechnical equipment skill
- not needed by the target role store pyrotechnical materials skill
- not needed by the target role store stage weapons skill
- not needed by the target role train actors in the use of weapons skill
4 further entries not listed here
Other moves recorded from prop master/prop mistress
Common questions about this move
Can a prop master/prop mistress become a followspot operator?
Yes, and it is a moderate move. A prop master/prop mistress already covers 67% of what a followspot operator is expected to do: 17 skills carry over, 13 of which the followspot operator role treats as required.
What skills does a prop master/prop mistress need to become a followspot operator?
6 required skills are missing, plus 3 optional ones. They fall into 4 areas of the ESCO skill hierarchy, led by working with machinery and specialised equipment. The single most important is communicate during show.
How hard is the move from prop master/prop mistress to followspot operator?
Its learning distance is 36.4 out of 100, which is the moderate band. That accounts for both how much is missing and how specialised those skills are.
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.